perfect cadence造句

• Due to the different resolve to form complete perfect cadences and stable sonorities.
• The work draws shut with a perfect cadence.
• A perfect cadence in A major concludes the small binary, and thus ending the theme of the prelude.
• In tonal music, a conventional perfect cadence consists of a dominant seventh chord followed by a tonic chord.
• All these lack perfect cadences ( V-I ) and may be thought of as derived from tonic / not-tonic differentiation ."
• The main focus is a'sighing'motif, which is passed around the quartet, before the music comes to rest with a gently unresolved perfect cadence.
• Following a cadence in the dominant, the section repeats in measures 10-16 with slight alterations and concludes in a G minor perfect cadence.
• Josquin locates each of these structural cadences in progressions of increasing power, placing the strongest, most perfect cadence for the very end of each line.
• The Picardy third does not necessarily occur at the end of a section : it can be found at any perfect cadence or Renaissance era.
• A similar interruption at the end of the chorus converts an expected perfect cadence in the new key to a modal cadence back into G major.
• Gary Morse's steel guitar and Pete Anderson's guitar give the country-blues trail ride of " The Sad Side of Town " a perfect cadence and stride.
• When finishing a piece, the final verse has to end on a perfect cadence that is close to the home key so that the ending of the song is clear.
• The refrain ( 0 : 25 ) begins in the newly transposes up by two whole steps, ascending from G to A and then B . It then returns to the verse, thus making a perfect cadence back into E minor.
• Reggae sometimes uses the dominant chord in its minor form therefore never allowing a perfect cadence to be sounded; this lack of resolution between the tonic and the dominant imparts a sense of movement " without rest " and harmonic ambiguity.
• At the end of the song, a dominant seventh on the tonic resolves as a perfect cadence into a new key to finish the song on the subdominant chord of the principal key ( C major as viewed from the perspective of a G major tonality ).
• For example, in the key of C major, the chord of G7 is followed by a chord of C . A common variant of this progression would be to replace the dominant seventh chord with a dominant chord that has its root a tritone away from the original : Three kinds of perfect cadence
• It is in A B A B or " sonatina " form ( there is no development section, only a single bar of a rolled V 7 chord leading back to the tonic key ); an apparent third appearance of the main theme turns into a coda, which slowly fades to a final perfect cadence.
• "Paysage " opens the cycle with a straight perfect cadence to the tonic D-flat, downgrading what textbooks would tell us should be reserved for a more conclusive moment . " Paysage " is riddled with rhythmic and harmonic games, not least the absence throughout of a single clear four-bar phrase; the piece's opening section, all in three-bar phrases, makes two teasing feints a four-bar phrases, both thwarted.